No one is sure when the memorial temple was first built, but the earliest record can be found in the book of Shui Jing Zhu, written by geographer Li Daoyuan during the Northern Wei Dynasty some 1,500 years ago. The name of the memorial temple had frequently been changed since the Wei Dynasty. Judging from many historical books, it is believed that Jinci Temple prevailed in the Northern Qi, Tang, Song, Yuan and Ming Dynasties. Based upon various requirements of those running the temple during those periods, the memorial temple was constantly enlarged and renovated. As a result it has become a mixture of Confucianism, Buddhism and Taoism, as well as a treasure trove of well preserved ancient architecture. Arrayed with brilliant scenery and enduring long periods of change to its design and buildings, Jinci Temple has gradually taken on a unique form of its own and gained nationwide fame. Furthermore, its axis, from the west to the east, was constructed to knit together the surrounding scenery with the overall design of the temple grounds.

There are three additional wonders that draw people from across the world to the temple. These are: The Figures of The Maidservants, the Zhou Cypress and the Never Aging Spring. Each of the Figures of the Maidservants that stand in the Saint Mother Hall, colored clay sculptures made during the Song Dynasty (960-1279), are unique. Whether these statuettes are washing, sweeping or dancing, they are all sculpted in a vivid and natural way.

Almost all the forms of ancient Chinese architecture can be found in Jinci Temple such as the terrace, pavilion, building, palace and bridge, all arranged in an elegant order, with the Never Aging Spring gushing all day and all night.